![]() ![]() What follows is a translation of the first chapter of volume one. A third volume was to have discussed the relations of cinema and society the fourth would have dealt with neorealism. The first volume centers on the theme of the, ontological basis of cinema or, as Bazin also puts it, "in less philosophical terms: the cinema as the art of reality." The second discusses the relations between the cinema and those arts with which it has things in common-the theater, the novel, and painting. Of the planned four volumes, one was published in 1958, and a second in 1959 the remainder await some competent selective hand. For more information regarding JSTOR, please contact Sun Oct 28 20:49:Ģ The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 AndrQ Bazin began to review and select for publication his post-world War 11 writings on the cinema. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. The Archive is supported by libraries, scholarly societies, publishers, and foundations. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. Publisher contact information may be obtained at Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. Please contact the publisher regarding any further use of this work. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. (Summer, 1960), pp Stable URL: Film Quarterly is currently published by University of California Press. 1 The Ontology of the Photographic Image André Bazin Hugh Gray Film Quarterly, Vol. ![]()
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